供稿: 郭慧杰 | 时间: 2018-12-05 | 次数: |
作者:郭慧杰
作者单位:云南民族大学文学与传媒学院
摘要:《金瓶梅词话》"闲笔"技法的大量运用,标志着中国古代小说在写作技法上的突破。兰陵笑笑生通过利用"闲笔"技法,塑造人物性格,点缀故事环境,铺陈故事情节,调节叙事节奏,彰显了"闲笔"对人物描写的细腻处理。"闲笔"技法的创造性运用,从某种意义上而言,表明《金瓶梅词话》已经具备了现代小说书写的雏形,对促进古代小说技法向近现代小说技法的演进具有重要的意义。
DOI:10.16698/j.hpu(social.sciences).1673-9779.2018.02.013
分类号:I207.419
Abstract:The digressive style in Jin Ping Mei Ci Hua marks the breakthrough of Chinese ancient novel in writing technique. With this writing technique, Xiaoxiaosheng of Lanling portrays vivid characters, describes the setting, develops the plot, and changes narrative rhythms, highlighting the fine portrayal of the characters. The creative use of digressive style, in some sense, suggests that Jin Ping Mei Ci Hua may already have the prototype of the modern novel writing, which is of great importance in promoting the development of ancient novels.