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荒诞世界凡俗生灵汲汲神往之喜剧盛筵——《金瓶梅》性爱文本生命超越存在主义美学建构
供稿: 谭楚子 时间: 2018-12-05 次数:

作者:谭楚子

作者单位:徐州图书馆

摘要:除官方出版的《金瓶梅》"洁本"有约二万字的情色文字被删外,还存在着大量的作者欣赏、玩味乃至意淫女色或渲染情欲的"隐性"情色文字。所有这些情色文本并非单纯用于色欲之"讽喻"或"戒惧",而是无意识或不自觉中传递着创作者的审美情趣,构建着创作者的生命哲学超越指向:肇始于中国文化深层结构中的阴阳交泰天人合一的华夏乐感超越情怀,纵欲床笫美媛与啸傲山水林泉心灵同构直抵生命极境的审美诉求,将纵情肉欲的现世欢乐体验提升至当下形而上统治地位的生命哲学价值取向,导演出创作者笔下男主人公永无止境地纵欲狂欢——遑论永恒正义、真爱良善以及超绝神圣的价值与意义存在与否,只有肉体生命倏忽即逝的死亡恐惧感悟及其审美主义的无我超越:性爱肉欲的奔腾欢乐,瞬间即永恒的迷狂逍遥,才是首要的第一位的!《金瓶梅》性爱文本生命超越之存在主义美学由此构建,性爱迷狂乃生命虚无之悲剧降临之前荒诞世界凡俗生灵汲汲神往的喜剧盛筵。

关键词:金瓶梅;性爱文本;生存焦虑;存在主义美学构建;无我超越;

DOI:10.16698/j.hpu(social.sciences).1673-9779.2018.04.012

分类号:I207.419

Abstract:Apart from about 20, 000 words of erotic descriptions being deleted, there are still a large number of implicit erotic texts in the official“clean”version of Jin Pin Mei. These texts not only satirize or warn against the lust, but also unconsciously express the author's aesthetic taste and construct his philosophy of life. His aesthetic pursuit involves both the musical feelings originated from the Chinese yinyang structure and the ultimate goal of life combining sensual pleasures with pure spiritual happiness. The philosophy of life is constructed while the hero changes the endless sensual pleasures to dominant metaphysical thoughts. For the hero the most important thing is the sensual pleasures, by which he can escape the fear of death. Thus, the existentialism of life transcendence is constructed for the erotic descriptions in Jin Pin Mei, and the madness for sensual pleasures is a comedy feast in the absurd world before the tragedy of life nihility comes.

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