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《金瓶梅》的审美接受分析
供稿: 付善明 时间: 2018-12-16 次数:

作者:付善明

作者单位:天津理工大学汉语言文化学院

摘要:《金瓶梅》的文本接受是"金学"研究的重要组成部分。文章从接受美学的角度,分析《金瓶梅》问世后至鲁迅《中国小说史略》排印前,袁宏道、袁中道诸人对于《金瓶梅》的接受情况。这段时间,读者对《金瓶梅》的接受,主要体现在:对作者的各种推测,对小说文本的称赞或毁谤,对小说的批评与棒杀等。自《金瓶梅》出版后,对其文本一直存在着赞扬和贬斥两种倾向,褒之者认为该书是一部伟大的现实主义世情小说,毁之者则以"淫书"目之。但《金瓶梅》却没有因被贬抑而堙没,而是一直流传不衰,自20世纪初开始形成一门显学。

基金:天津市社会科学研究项目(TJZW13-006);天津市教育厅项目(20132222);

关键词:金瓶梅;金学;审美接受;

DOI:10.16698/j.hpu(social.sciences).1673-9779.2016.03.013

分类号:I207.419

Abstract:The acceptance of The Golden Lotus is one of the major focuses of studies in the academy.From the perspective of aesthetic acceptance, we studied Yuan Hongdao, Yuan Zhongdao and other people's acceptance of The Golden Lotus before Lu Xun's Brief History of Chinese Fiction was published in1924, which were mainly about the following aspects: various speculation of the author, strong and sincere compliments or slander, and criticisms. Since its publication, The Golden Lotus has received both compliments for being a great realistic novel and criticism for being pornographic, however, it is certain that The Golden Lotus triggered a significant study in the 20 th century.

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