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清代中期《金瓶梅》戏曲在北京的传播
供稿: 王军明 时间: 2018-12-05 次数:

作者:王军明

作者单位:徐州工程学院人文学院

摘要:清代中期,北京戏曲舞台上演绎的很多曲目取材于《金瓶梅》,人物情节虽较小说略有变化,但继承关系明显。大量的《金瓶梅》戏曲演出史料以及相关禁令无一不彰显《金瓶梅》在清代中期北京传播的广度。文人墨客或者达官贵人对《金瓶梅》戏曲的接受程度和对演员的评价再现了戏曲《金瓶梅》在当时受欢迎的程度。

基金:江苏省教育厅资助项目(2015SJD464);

关键词:金瓶梅;清代戏曲;文化传播;

DOI:10.16698/j.hpu(social.sciences).1673-9779.2017.03.011

分类号:J809.2

Abstract:During the middle of Qing dynasty, many operas derived from Jin Ping Mei Novel in Beijing, though character and plot in these operas had little changes, the inheritance from Jin Ping Mei Novel is obvious. A large number of historical materials on Jin Ping Mei Opera performances and the bans on them can show that how wide Jin Ping Mei Novel spreads during the middle of Qing dynasty. The acceptance of in Jin Ping Mei Opera by the Writers, scholars or governmental officials together with their comments on the actors can show how popular Jin Ping Mei Novel is during that period.

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