“无为有处有还无”——论《红楼梦》的“不写之写”(点击标题下载全文) 已下载

作者:沈新林

作者单位:南京师范大学文学院

摘要:通过解读小说文本,细致分析了《红楼梦》中确实存在的"不写之写"的艺术手法。这一手法具有调动读者的想象、丰富作品意蕴、隐蔽作者倾向和有利于对比、对照的美学价值。追本究源,这种"不写之写"是清初王士祯的神韵派诗歌理论在小说中的运用,也是《红楼梦》永远说不完的原因之一。确切地说"无为有处有还无"即是《红楼梦》"将真事隐去,用假语村言"的特殊艺术虚构手法。

关键词:《红楼梦》;不写之写;美学价值;神韵派;

DOI:10.16698/j.hpu(social.sciences).1673-9779.2013.04.006

分类号:I207.411

Abstract:Through interpreting the texts of The Dream of Red Mansions in detail, the author cites several examples to show that there exists the writing art, Not Writing, in the novel The Dream of Red Mansions. Not Writing technique can activate the readers' imagination, enrich the work connotation and conceal the novelists' intention, which can promote the contrasting aesthetic value. Not Writing technique dates from the application of Wang Shizhen's verve poetry theory to the novel in the early Qing Dynasty, which accounts for the endless researches on The Dream of Red Mansions to some degree. Finally, the author proposes that Non-being is a fictional writing technique that hides the truth purposely by means of some fake languages.

 
 
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