供稿: 李云 | 时间: 2018-12-16 | 次数: |
作者:李云
作者单位:天津师范大学津沽学院
摘要:崇高的爱情观不是一个民族天生就拥有的,而是在民族发展中逐渐习得的。中国古代诗歌中虽有歌颂爱情的不朽篇章,但与政治诗、山水诗相比只是很少的一部分,而且因抒情文体的限制,不如小说中表现的爱情叙事规模宏大、淋漓尽致。《金瓶梅》《聊斋志异》《红楼梦》是中国古代小说中充分展现爱情观念的三部巨作,具有里程碑的意义。《金瓶梅》大力宣扬了一种肉体之欢、感官的盛宴,其间流露的真情散发出了人性美的光芒。《聊斋志异》中展现了爱情中肉体之欢与灵魂之爱的冲突与较量,虽然前者比例大,但不乏痴情之人的光辉形象,充满对真情的歌颂与追求。《红楼梦》完成了对中国古代爱情观的大力提升与终极塑造,展现出优美、纯净、高尚的灵魂之爱。
DOI:10.16698/j.hpu(social.sciences).1673-9779.2016.01.014
分类号:I207.41
Abstract:The noble love view is not innate, but gradually acquired in the development of a nation. Although there are a number of splendid Ancient Chinese romance poems, far fewer than political poems and scenic poems. In addition, the narrative of romance novels is of a larger scale and more vivid. The Golden Lotus, Ghost Stories, and A Dream of Red Mansions are milestones of ancient Chinese romance novels and unfold the love view of ancient Chinese. The Golden Lotus describes the joy of flesh love, which at the same times shows the beauty of human nature through true feelings of characters; Ghost Stories reveals the conflict of flesh love and soul love, in which true feelings are praised and worshiped; A Dream of Red Mansions unfolds beautiful, pure and noble soul love, hence distillation of ancient Chinese love view.