供稿: 郭群 | 时间: 2018-12-19 | 次数: |
作者:郭群
作者单位:闽南师范大学教育科学学院
摘要:在文学创作活动中,作者的创作动力大多开始于缺失性痛苦体验。童年的经历带给莫言的是一种沉重持久的痛苦,物质的匮乏、爱的缺失给他造成巨大的心灵创伤。超常的心理压抑激发了莫言强大的创作内驱力,也造就了他独特的心态和创作风格。一方面,莫言借助于极度狂放的想象进行情绪的释放并获得代偿性满足和精神的自由;另一方面,超越自卑的心理促使他反叛传统和权威,因此他的作品中充斥着惊世骇俗的审丑心理和叛逆性格。莫言正是通过文学创作进行心理的自我治疗,试图摆脱童年沉重的创伤性记忆的纠缠,但有时因为过度压抑而不可避免带有些许病态色彩。
基金:福建省社会科学规划2013年度课题(2013C096);
DOI:10.16698/j.hpu(social.sciences).1673-9779.2014.04.004
分类号:I207.42
Abstract:In literature creation, most authors' drive originates from their painful experience of deficiency. This is certainly true in Mo Yan's case, who has chronically suffered from his painful childhood experience deficiency of materials and love. Extreme mental depression inspired Mo Yan 's creativity, which contributed to his unique attitude and writing style. On the one hand, he released his emotion and got spiritual freedom as a compensation with the aid of extreme wild imagination; on the other hand, his desire to overcome inferiority prompted him to challenge the tradition and authority, which is reflected vividly in his works. Literature creation is a psychological therapy for Mo Yan to get rid of his childhood traumatic memory, and a streak of morbidity is inevitable due to the excessive suppression.