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20世纪以来朱载堉“乐学”研究述评
供稿: 任秀梅 时间: 2018-12-05 次数:

作者:任秀梅

作者单位:福建师范大学音乐学院

摘要:朱载堉研究肇始于20世纪30年代,兴盛于20世纪80年代以后。从早期的对朱载堉成就的初步认识,到中期的全面整理、不断考据,再到现在的精密验证、时有争鸣,研究内容不断丰富。纵向上,形成了诸如步步深入的研究特点;横向上,虽研究论域不断扩展但却并不全面,且多聚焦于其"律学"成就,无形中忽视了他在其他领域的贡献。为此,以朱载堉的"乐学"成就为关注对象,梳理了该领域有限的研究成果,审视了此领域的可拓展空间,指出了朱载堉"乐学"研究的新方向。

基金:河南省哲学社会科学规划项目(2016BYS015);

关键词:朱载堉;乐学研究;成果述评;

DOI:10.16698/j.hpu(social.sciences).1673-9779.2018.03.017

分类号:J609.2

Abstract:Studies on Zhu Zaiyu were originated in 1930 s and became popular in 1980 s. Experts argued a lot about Zhu Zaiyu's achievements in the process of early recognizing, then fully filing, consistent researching and precise testing. The research goes deep step by step. At the same time, the domain of studies on Zhu Zaiyu is broadened but not comprehensive, and mainly focuses on his musical temperament achievement, ignoring his contribution in other fields. Sorting out the research achievements, this paper focuses on musicology, examines its research potential and broadens the scope of further research on Zhu Zaiyu.

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